The Kennedy Center for Theatre and the Studio Arts Square Feet
+ 17
- Area : 89000 ft²
- Year : 2014
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Manufacturers : Acoustical Surfaces, Decoustics, Lutron, ACGI, Alkco, Ceco Door, Cooper Lighting, Daltile, Edison Toll Lighting, Georgia-Pacific, Gerriets, Hansa, Kawneer, Litelab, Martela, Mondo, Overly, Robbins Sports Surfaces, SONOS, Southside Precast Products , +12-12
Text description provided by the architects. Project Siting
The new Kennedy Center for Theatre and the Studio Arts is sited directly across from the recently completed Ruth and Elmer Wellin Museum of Art, besides designed by Machado and Silvetti Associates. Together with the McKim Mead and White designed Molly Root House, domicile of the fine art history department, these 2 new buildings and the new backyard and swimming, designed by Reed Hildebrand equally part of the MSA team, course a highly visible new arts quad at Hamilton College. The Theatre and Studio Arts building is located forth the southern edge of its open site and designed to shape and frame views of an interior lawn, which slopes gently down to the swimming at the site's centre. The project'due south tallest element, the Romano Flexible Theatre, is placed at pinnacle of the colina to make a visual connexion between the new building and the celebrated Hamilton College campus on the other side of College Hill Road. Porosity is a disquisitional component of the inclusive design. The project siting and design advisedly considers pedestrian and vehicular access from existing campus paths and roads and movement through and around the new building weaves it into the campus fabric.
Serving the Arts at Hamilton
Theatre and the visual arts are integrated into all disciplines inside the broader liberal arts curriculum at Hamilton Higher and students and faculty from all majors and departments actively use the new buildings and surrounding mural. The Kennedy Centre brings classrooms, studios, faculty offices, performance spaces and technical workshops into 1 24-60 minutes facility to reinforce this interdisciplinary programme. The building brings two-dimensional, three-dimensional, and four-dimensional fine art studios and theatre programme spaces nether one roof in a facility with state-of-the-fine art ventilation systems, controllable natural light, loading dock and freight elevator access, and classrooms and storage spaces, specially designed to suit Hamilton'southward unique visual arts and theatre curriculum.
Studio Arts Spaces
The project provides a total range of studios, classrooms and workshop spaces to back up the broad range of studio and digital arts programs offered by the College. The new Theatre and Studio Arts Building brings these programs under the same roof in a facility with state of the art ventilation systems, controllable natural light, loading dock and freight lift access and classrooms and storage spaces especially designed to accommodate Hamilton'due south unique visual arts curriculum. The project is designed with 2D studio spaces on the second flooring where they can do good from natural daylight and 3D sculpture studios and supporting workshops on the lower level to accommodate heavy tools and facilitate the move of large materials. Broad corridors and a high capacity service elevator connect all of the studios into 1 large program neighborhood and provide piece of cake access to all of the shared workshop spaces. Racket levels are carefully considered throughout the spaces. The highly sound-sensitive spaces of the theatre and 4D 'STARS' program are separated from the shops by a big exterior space and massive wall construction. Conscientious attention is paid to the audio isolation of the shops from the studio art offices and classrooms. The need for each studio and workshop space to adapt several classes during whatever given semester and the desire to maximize pedagogy time during scheduled course periods has placed an accent on efficient storage and quick cleanup solutions.
The 4D 'STARS' program areas will exist equipped with state of the art digital media technologies. The multidisciplinary infinite draws students from art, theatre and music departments as well as mathematics, social sciences, physics and others, using digital media as a span betwixt diverse areas of study. The plan elements are comprised of teaching classrooms, preproduction and editing studios and a central screening room. Given the natural crossover between the digital photography and the piece of work being washed in the STARS, these teaching spaces have been placed in close proximity. These spaces tend to be loud and sound sensitive so special attention has been given to sound isolation and room acoustics within this program neighborhood.
Theatre Spaces
The Kennedy Center for Theatre and the Studio Arts brings theatres, scene workshops, classrooms and faculty offices that had been located on opposite sides of the Hamilton College campus into one new state of the art theatre facility. The project has been designed with 3 scales of operation infinite, designed and equipped to support the unique pedagogy of the Hamilton College theatre department. The 'Studio Classroom' is a small space designed to support small, student run programs and acting workshops. The intermediate scale 'Barrett Lab Theatre' is equipped with a wire rope grid, total control booth and all of the technology to back up a range of production formats. The 'Romano Flexible Theatre,' the largest of the three performance spaces, is just used for one bear witness each semester. As an integral role of the theatre training, students work with faculty to design and build elaborate sets that transform the Flexible Theatre space for each show. This transformation takes this larger theatre out of service for smaller shows and senior projects during the semester. Strategically located betwixt the Lab Theatre and Flexible Theatre, the Scene Store provides a range of metal and woods working tools and a big layout expanse and spray booth to requite students the resources to build elaborate sets. In addition to the spacious light-green room and dressing areas, a costume workshop allows students to dye and stitch their own costumes. The project also includes a Pattern Classroom where students acquire the drafting and model building skills needed to blueprint theatrical sets and lighting strategies.
General Organization of Programs
The project is designed with 2d studio spaces on the second floor, where they can benefit from natural daylight, and 3D studios and supporting workshops on the lower level, to adapt big tools and facilitate the motion of heavy materials. 4D program areas are equipped with state-of-the-art digital media technologies. The multidisciplinary infinite draws students from art, theatre and music departments, as well as mathematics, social sciences, physics and others, using digital media equally a bridge between diverse areas of study. The program elements are comprised of didactics classrooms, preproduction and editing studios and a primal screening room. Given the natural crossover betwixt the digital photography and the piece of work beingness done in the 4D studios, these teaching spaces are placed in shut proximity.
Wide corridors and a high capacity service elevator connect all of the studios into i large programme neighborhood and provide easy access to all shared workshop spaces. Racket levels are carefully considered, and special attention is paid to sound isolation between shops, offices, classrooms, theaters, and highly sensitive sound recording spaces. The facility also includes three types of performance space designed around Hamilton's pedagogy: the 'Didactics Studio,' where interim is taught, the 'Lab,' where ideas are tested and the 'Flexible Theatre,' the space where larger scale theatrical productions are performed.
Building Structure
The two-story construction is steel framed with physical-filled metal pan slab construction. A site cast concrete basement, housing mechanical equipment and storage, occupies less than half of the buildings footprint. The remainder of the building is built as slab-on-grade with perimeter site cast concrete frost wall foundations.
The edifice is clad in ii primary materials, alcove bluestone and ultra-high functioning concrete (UHPC) panels, and incorporates an expansive 400' curtain wall to open the entire building to views of the lawn and pond. The regional alcove bluestone, used as an exterior and interior cladding material for the two largest theatres, was quarried nearby at NY Country Quarries and was the cloth that was used to build large sections of the Erie Canal. These big stones were laid in an ashlar blueprint as role of a cavity wall structure that included Roxul insulation exterior of a continuous and fully adhered air, vapor and water barrier membrane. The fill-in wall was built with fiberglass faced gypsum sheathing on lite cuff metal studs. The UHPC panels (manufactured past TAKTL in Pittsburg, PA) were custom designed by MSA with a tapered fluting which opens from lesser to top to expose an abstracted tree pattern on the recessed surface. These panels are installed every bit a vented rain screen, hung off aluminum girts. The fill-in wall for this assembly includes Roxul insulation over a fully adhered membrane on a fiberglass faced sheathing and metal studs.
Flat roofs are sloped with tapered polyisocyanurate insulation to internal drains. High efficiency diffusing skylights and internal coffered ceilings are used to reduce free energy costs and provide natural, even lighting over the major studio spaces. Skylights in the painting and cartoon studios are equipped with motorized coma shades to provide the rooms with full blackout capability for the projection of images and the staging of nevertheless life and model scenes.
The project uses Kawneer insulated glass curtain walls with thermally broken frames, warm edge spacers and argon filled cavities to maximize thermal performance. Windows into offices, classrooms, workshops and other program spaces are typically operable aluminum frame window units. All drinking glass is low iron with UV resistant coatings. All studio spaces and classrooms are equipped with motorized shades to control light. Sliding panels in the drawing studio block light and provide a continuous pinup surface along the exterior wall when closed.
Mechanical Systems
Workshop and studio spaces require high ventilation rates and large quantities of fresh air. Mechanical systems are designed to provide the highest level of safety for students and kinesthesia while taking reward of all opportunities for energy conservation. CO2 and motion sensors, every bit well as manual user overrides, are used to modulate ventilation rates in response to building occupancy and bodily ventilation needs. The building uses heat recovery units to draw energy off of exhausted air and systems are designed to maximize the benefits associated with the diversity of ventilation rates and heating and cooling needs within the project at whatever given time. All lighting in the projection is controlled off of a Lutron arrangement to optimize energy use.
Location to be used only as a reference. It could indicate urban center/country but not exact address.
Cite: "Kennedy Center for Theatre and the Studio Arts / Machado and Silvetti Associates" 28 May 2015. ArchDaily. Accessed . <https://www.archdaily.com/635562/kennedy-center-for-theatre-and-the-studio-arts-machado-and-silvetti-associates> ISSN 0719-8884
Source: https://www.archdaily.com/635562/kennedy-center-for-theatre-and-the-studio-arts-machado-and-silvetti-associates
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